With nearly a million followers on Twitter and on first-name terms with one of the most iconic authors in the world, Evanna Lynch from Co Louth has made a name for herself as one of Ireland’s great acting exports.
The perception of women in Hollywood is fraught with judgement and jealousy.
Even now, women in the film and television industry are being sized up not on their talent, but on their appearance.
Why are studios determining the right person for the job based on their sex? Continue reading
I’ve officially finished my Erasmus year in France – eight busy months of language, culture and many creative writing submissions – but I haven’t given up the travelling just yet. Last week, I flew to London to attend the So You Want To Be A Journalist? conference at City University.
My favourite young adult story takes me back in time fifteen years ago, when the grass was ten feet tall and Barbies ruled the world: the start of my childhood, when I first saw the adaptation at age five. I would sit wide-eyed in front of the little black television as we pressed rewind on the VHS tape, eagerly awaiting the moment that “two figures [would trudge] up the steep path that leads…to the little village of Dorfli”.
I must have seen the film version countless times as a young girl. My older sister and I were rarely a quiet bunch, but both of us were entranced by the cheerful and curly-haired kid, Shirley Temple, in the main role of the 1937 motion picture, Heidi, directed by Allan Dwan.
It was the black-and-white simplicity of the Swedish tale on the screen that first drew me to the story, but the unforgettable characters of sullen Grandfather, excitable Klara, goat herd Peter and, of course, the young heroine Adelheid made me remember it. Despite not even being ten years old at the time of filming, lead actress Temple was by then a star in her own right, perfectly cast: she really captured the spirit of the innocent and sweet child from the original story – written in 1880 by Johanna Spyri – looking as if she’d hopped straight out of its pages.
It was only in later years that I read the book in question, but the visual connection I had with the film only served to enhance my Heidi experience. Heidi was up there with Astrid Lindgren’s Pippi Longstocking, Frances Hodgson Burnett’s Little Princess Sara Crewe and Edith Nesbit’s The Railway Children in terms of strong characters that had made a massive impact on me in film adaptations before I turned to them in their literary form.
I consider Heidi to be a young adult book in this case because I did not read the book until I was an adolescent. Heidi is perhaps the most special YA book to me because of how much the film touched me as a child. Shirley Temple was iconic in the role and the character of Heidi is forever immortalised in my mind how the young actress portrayed her. But no matter how many versions of the story there will be, it is truly one of those classic tales that will never grow old: the adventures of the little girl from the Swiss Alps.
As I type this on my clattering keyboard, my wooden bookshelf sits opposite me, groaning under the weight of literature and film it has accumulated since it happily took up residence in my bedroom at the beginning of the year. (Only five shelves to contain the majority of books I own, plus my entire DVD collection. I mean, really?!) Crammed ledges are starting to feel the burden, as they are crushed slowly under the pressure of The Shelf.
Every bibliophile can spot The Shelf from a mile away – the scent of freshly bought written word, the sight of devoured, eagerly-page-turned novels, or the delicate and deliberate order in which the books are allocated a place. The Shelf exists for the sole reason of stocking the selection of your favourite worldwide literature, perused over your lifetime, each chosen carefully to permanently reside on this ledge. They have proudly retired here after earning their badge of honour: your thorough enjoyment. The Shelf is the very persona of your book passion. It is the essence of flowing words, effortless communication and graceful composition by gifted authors, celebrating their creative skill side by side. It is your Holy Grail of Prose. It is the victorious army of successful published authors, who have bravely risen from the grey smoke drifting across the battlefield of wounded writers who didn’t make the cut. It is…well, you get my drift.
Flanked by bestselling novelists, dramatic titles, French translations and histories of Modern Ireland, my most preferred book to date nestles quietly on The Shelf between its younger siblings, Human Traces (2005) and A Week in December (2009), both fleshed out by the same author, Mr. Sebastian Faulks, of whose wondrous talent I have developed a ridiculous amount of respect, not just because he hails from possibly the best city in the world.
I have to be honest. I did not stumble upon this masterpiece of a novel merely by chance. Birdsong (1993) was recommended to me by some well-read old friends: remarkably, they couldn’t explain exactly why they loved it, but just urged me to read it. Curious, I began my foray into the world of Stephen and Isabelle, never to look back. I was immediately hooked on the immortal and poignant tale of love and war, set amongst the roaring French trenches of World War One. Its simple cover – a black outline of a soldier and a crucifix – barely alludes to the captivating tale between its pages, but perhaps the magic of this story is its sweet integrity and the passion with which Faulks tells it.
The wonderful characters jump out from the pages, each with their own distinctive personality, traits and feelings. The author vividly describes his journey with them in the introduction of the novel. His well-honed voice speaks clearly and directly to the reader, as he recounts his exploration into their world. This personal glimpse of Faulks’ literary experience offers a unique and rare view of his writing career: from the perspective of the author himself. He reveals snippets of his reasons for Birdsong‘s creation – “in the opening section, I wanted the texture of the prose to increase the sense of social and sexual claustrophia” – and simultaneously evokes an honest and moving portrayal of a writer hard at work. “Sometimes I felt choked by rage and indignation; […] at other times, in the spring sunshine, among the headstones, I felt oddly tranquil and at ease, as though among friends. […] Could I really do this thing?”
The introduction is only the beginning. The story of Birdsong is one that has truly captured my imagination and set it on fire. I am always inspired when I read Faulks’ elegant narrative, see his three-dimensional characters stroll about in my head, and witness the flashes of genius present in his writing.
Out of all the books I have read over the last fifteen years, this novel has had the most profound effect on me, as a writer and as a human being. Faulks’ tale is sheer magnificence, which is why Birdsong has received the title of my Favourite Book. I may not always be so in love with the exquisite literature that pours from its pages, but it will always be there, waiting on The Shelf, for the day when its words will once again see light.
London is one of the greatest cities in the world. The blend of the ancient and modern alluringly combine in England’s capital to make it one of the most diverse and wonderful landscapes to explore: from beholding the might of King Henry VIII’s five-hundred-year-old Hampton Court Palace to going for a spin on the tallest Ferris Wheel in Europe, the ‘London Eye’.
London’s ability to grab and captivate the imagination of artists and writers extends back almost two millennia, inspiring countless works of outstanding creative merit – from Shakespeare to Dickens to Rowling, to name a few – and it’s no wonder. Majestic landmarks are dotted around almost every corner of the city centre. Even the Queen calls London her home (the iconic Buckingham Palace, of course, being her residence). The rich and diverse history and heritage of the United Kingdom’s capital city beckons generations of people all over the world to be enchanted by it.
It’s so easy to wander around the hubbub of the British city; the mixture of cultures, personalities and lifestyles give an eclectic yet fun feel to London. As the sun comes up, traditional jet-black cabs zoom past iconic motion picture locations and very familiar settings and sights from classic British films, such as ‘James Bond’, ‘Notting Hill’ and ‘Children of Men’. The buzz and bustle of the capital merges to become one continuous low rumble: the locals frantically rush to work, the wide-eyed tourists clutch video cameras as they pass on the top deck of the scarlet-red bus tour and lighthearted buskers strum along on their guitar. Fragments of music notes and scattered chords echo along the market streets, accompanied by vocals in the crisp English accents that I adore.
No matter what your passions in life are, you will find something to fuel them during your London experience. Nightlife throbs, bright lights flash and flicker, and wellies squelch at summer festivals. There are many chaotic and fun sides to the city, but there is also a deeply serene atmosphere about London, even in the midst of the hype and intensity: there is a unique vibe of coolness intermingled with true beauty, found in very few places on Earth.
My favourite aspect of London, though? The more you see of the vast city, you still haven’t seen it all. All its wonders will still be there for you to treasure upon your return…which means you have another reason to come back.